On Sunday afternoon, after we’ve taken to the streets to demand the world we know is within our reach — a world with an economy that works for people and the planet; a world safe from the ravages of climate change; a world with good jobs, clean air and water, and healthy communities — let’s take a walk onto that shining example of how things might work: the High Line.
The newest, northernmost section opens Sunday afternoon, conveniently located right next to the endzone of the People’s Climate March. More here (thanks to an unlikely source, the Wall Street Journal…):
Over the summer, the High Line at the Rail Yards—a stretch of the elevated park between 30th and 34th streets that also opens to the public for the first time Sunday—played host to the Argentine artist Adrián Villar Rojas and a team of collaborators who liked to get their hands dirty. The results of their work are 13 stylized cubes that look like they were dug up from the ground.
“This is the basics of life on earth,” Mr. Rojas said during the installation of the sculptures, which weigh around two tons each. “Inside you have all these tiny things that are happening, going back to billions of years ago when the first primitive organisms appeared. This is it. This is the primordial soup.”
Cecilia Alemani, the curator of High Line Art, offered a different interpretation: “Half of them look like chocolate, no?”
Many cities have been seduced by the fantasy that a high-concept museum will turn around its urban fortunes, but what if there were an alternative call for ideas – open to all – to rise to the challenge of imagining a richer future for the whole city?
On October 17th 2014, Hunter College in NYC will host a day long multi-disciplinary symposium exploring the influence of non-traditional practitioners of historic preservation on architectural revitalization throughout the United States. Titled The Accidental Preservationist: Artists, Artisans, Outliers & the Future of Historic Preservation, the symposium will include individuals from across the United States who don’t necessarily call themselves preservationists but whose work and passions link them to old architecture and cityscapes: artists and entrepreneurs who are inspired by buildings and places; directors of arts organizations, housing activists, and urban health advocates who are closely connected to the historic buildings and neighborhoods they interact with; artisans and makers whose craft is tied to the places where they work.
Should be fun — tickets cost $25-50…
Modern cities fulfill the promises of John Dewey and Walt Whitman’s paeans to democracy by allowing ‘democratic voices, ardent dreamers and lawless artists’ to inspire each other. By focusing on practical solutions to the day-to-day problems that affect their constituents, city mayors champion a mode of governance characterized by collaboration and consensus, and the global ties they create offer a more human-centered, applied style of politics than the contentiousness of national legislatures or the bureaucratic talking shops of the U.N. and European Union…
Stephanie Meeks, president of the National Trust, stresses the importance of preservation and its vital role in active and sustainable cities.